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THE SEX ISSUES
A Seinfeld fan fiction script
by
Joel G. Gomes
November 2002
INT. COMEDY CLUB. NIGHT
JERRY IS ON STAGE.
JERRY
Sex is everywhere. It’s almost impossible not to talk
about it. If you notice carefully, you’ll see that everything we do, has to do with sex. For example, when
we wash our clothes. We do it because we wanna
look good to captive our sexual partner.
Some people do everything they can to avoid sexual
pleasure, but I think that’s not enough. I think the only way to avoid sex is
to be locked up in a room with a chastity belt. And even then, I’m not sure.
CUT TO:
INT. MONK’S. DAY
JERRY AND GEORGE ARE HAVING COFFEE.
GEORGE
So tell me something...
(BEAT)
Do you think dead people can pleasure themselves?
JERRY
Why? You’re planning on killing yourself soon?
GEORGE
No. I’d just like to know what you think.
JERRY
In what way?
GEORGE
You know... Self dependence.
JERRY
Well, I don’t think so. But, even if they could, d’you honestly
believe it would make any difference to the fact that they’re dead?
GEORGE
No. But, at least, it would give them something to
spend their time with.
JERRY
George, listen to me. Listen very carefully, okay?
GEORGE
What?
JERRY
They are dead! Dead! They don’t need entertainment. Wh-where
do you come up with this stuff?
GEORGE
I think this a very interesting subject.
JERRY
What happened to toilet paper?
GEORGE
I stopped using that.
JERRY
But only as a subject of
conversation, right?
GEORGE
Of course.
JERRY
Well, I’m sure there are scientists working on this
issue. Maybe even putting cameras inside caskets and treating corpses like rab rats. Testing artificial insemination on female bodies,
mating attempts with-
GEORGE
Okay! Okay!
JERRY
(LAUGHS)
And...
GEORGE
Okay! I got it!
ELAINE COMES IN. SHE IS RADIANT.
SHE JOINS THEM.
ELAINE
Hi!
JERRY
Hey.
GEORGE
Hi, Elaine.
JERRY
(SMILES)
Hmm...
ELAINE
What?
JERRY
How is he?
ELAINE
How’s who?
JERRY
Your new boyfriend.
ELAINE
What makes you think I have a new boyfriend?
JERRY
I can tell when you have a new boyfriend.
ELAINE
Is it because of my radiance?
JERRY
No. It has more to do with the fact that you’ve
dumped the last one, four days ago.
ELAINE LAUGHS.
JERRY
So tell me, what’s he like?
ELAINE
Oh! He’s a director.
GEORGE
What kind of director?
ELAINE
I don’t know. The kind that...
directs.
JERRY
What’s his name?
ELAINE
Kris Kramski.
JERRY
Kris Kramski?
GEORGE
What kind of name is that?
JERRY
Sounds like a name for a sports company from Eastern Europe.
ELAINE
He was born in France. He came to America when he was young.
JERRY
Have you seen any of his stuff?
ELAINE
Not yet. He invited me for a late night session at
his apartment tonight.
JERRY
A late night session of what?
ELAINE
(SMILES)
Whatever it comes.
CUT TO:
INT. JERRY’S APARTMENT. NIGHT
JERRY IS WATCHING TV.
THE BUZZER SOUNDS.
JERRY GETS UP AND ANSWERS IT.
JERRY
Yeah?
KATE (OS)
It’s Kate.
JERRY
Come on up.
JERRY RETURNS TO THE SOFA.
KRAMER COMES IN.
KRAMER
Hey Jerry, do you have a screwdriver?
JERRY
Check out the kitchen drawer.
KRAMER GOES TO THE KITCHEN AND CHECKS THE DRAWER IN
AN INEVITABLE CLUMSY WAY.
JERRY
Careful there.
KRAMER PRODUCES A SCREWDRIVER FROM THE DRAWER.
KRAMER
Found it!
KRAMER WALKS TO THE DOOR.
THE DOOR OPENS. KATE ENTERS.
KRAMER TWITCHES WHEN HE SEES HER AND LEAVES.
JERRY GETS UP AND KISSES KATE.
KATE
What was that all about?
JERRY
Don’t worry. You’ll get used to it.
CUT TO:
INT. KRAMSKI’S HOUSE. NIGHT
THE LIGHT IS PALE. ELAINE IS SITTING ON SOFA. KRIS IS
CHECKING A BOX FILLED VHS TAPES.
ELAINE
Are you going to show me your stuff tonight or what?
KRIS (FRENCH ACCENT)
I’ll be ready in a minute! Ah! Here’s my favorite!
ELAINE
Is this one yours?
KRIS
Not yet. I thought I show you the work of one my
favorite artists in the business.
ELAINE
What’s his name?
KRIS
Murakawa Tooru. The movie is called
“A PLAY OF WHITE FINGERS”.
ELAINE
Sounds interesting. What’s the story?
KRIS
You’ll see. I don’t want to spoil the surprise.
KRIS PUTS THE TAPE IN THE VCR AND SITS NEXT TO
ELAINE. HE GRABS THE REMOTE AND PRESSES THE PLAY BUTTON.
WE HEAR MOANS FROM THE PICTURE. IT’S A PORNO MOVIE.
ELAINE IS SHOCKED. KRIS LOOKS VERY PROUD.
CUT TO:
INT. JERRY’S BEDROOM. NIGHT
JERRY AND KATE ARE HAVING SEX. THE CLOCK INDICATES
0.05.
CUT TO:
INT. JERRY’S BEDROOM. NIGHT
THE CLOCK NOW INDICATES 2.35.
JERRY AND KATE ARE LYING ON THE BED, LOOKING TO THE
CEILING. JERRY IS TIRED AND KATE IS CLEARLY UPSET.
JERRY
I can take this anymore! You’re draining my vital
energy out of me!
KATE
I like to extend my period of pleasure, okay?
JERRY
That’s easy for you to say, but what about me? I can’t
hold on for two hours! At least, not every day. I need
to get some rest.
KATE
You know what? You can be very selfish sometimes.
JERRY LOOKS AT KATE.
CUT TO:
INT. COMEDY CLUB. NIGHT
JERRY IS ON STAGE.
JERRY
Society has imposed us that men are not allowed to
refuse sex. When a woman tells “I don’t feel like it”, it’s because we have a
problem. Either bad breath, extreme B. O. or physical
disability and we have to accept whatever the reason she says.
The sad thing is that we have nothing to excuse
ourselves with. They got the period and stuff like that, but men don’t have
nothing. Whenever they want, we have to do it. Love till death do us part.
CUT TO:
INT. MONK’S. DAY
JERRY AND GEORGE ARE HAVING BREAKFAST.
GEORGE IS A BIT DEPRESSED. JERRY IS TIRED.
GEORGE
Relax. It happens to everyone. Even
me.
JERRY
I’m not worried about everyone. I’m worried about me?
GEORGE
Who are you to complain? At least, in your case, she
reacts. I’m lucky, if she even sighs.
KRAMER ENTERS WEARING A PAIR OF SUNGLASSES. HE SITS
NEXT TO GEORGE.
KRAMER
Hey.
(TO THE WAITRESS)
Can I have some coffee, please?
JERRY
What’s that?
KRAMER
Sunglasses.
JERRY
That I can see. Why are you wearing them. We’re in the middle of the Winter.
There is no sun out there.
KRAMER
You mean I’m not allowed to wear sunglasses when I
want?
THE WAITRESS BRINGS KRAMER’S COFFEE.
KRAMER
Thanks.
GEORGE
(LOOKS CAREFULLY AT KRAMER’S FACE)
What’s that on your face?
KRAMER
Where?
GEORGE
Right there. Under the glasses.
KRAMER
It’s nothing.
JERRY
Let me see.
KRAMER
I’m telling you it’s nothing.
JERRY
If it’s nothing, then you have no reason why we
shouldn’t see it.
KRAMER
Alright...
KRAMER TAKES OFF HIS SUNGLASSES. HIS LEFT EYE IS
SWOLLEN.
JERRY
What happened?
GEORGE
Looks like you were punched.
JERRY LOOKS TO GEORGE.
KRAMER
I was... er...
involuntarily forced to participate in an aggression.
JERRY
How’s that?
KRAMER
Last night, when I was coming home, I saw this
amazing woman. She was like a goddess! Man! Blonde, her body was like a
Buddhist temple, covered with a short and tight white dress.
GEORGE
Wow!
JERRY
So you looked?
KRAMER
How could I not? The guy behind her was hypnotized by
her rear end too.
GEORGE
Then what?
KRAMER
Well, then the guy noticed me and walked towards me.
He punched me in the eye and said "That’s for looking at my
girlfriend!"
JERRY
That’s unbelievable. Just because
you looked?
(TAKES A SIP FROM HIS COFFEE)
So that’s the state of the world today, isn’t it? In
the last two thousand years, that’s what mankind has accomplished. You can’t
look to a woman without being punched.
GEORGE
If they don’t want us to look at their women, maybe
they should keep her looked inside the house. Or paint them with invisible ink.
JERRY
That’s what I call a great idea.
KRAMER
What about you? Is everything okay?
GEORGE
He’s having trouble with his girlfriend.
JERRY
Oh! I almost forgot! I wanted to ask you something.
KRAMER
About what?
JERRY
About what happened at my place the other day when
you saw my new girlfriend.
KRAMER
I don’t know. She looked very familiar. I think I’ve
seen her before.
JERRY
Where do you know her from?
KRAMER
I don’t know exactly. What’s the matter with her?
JERRY
She’s a starved.
KRAMER
And you’re afraid you can’t deal with it?
GEORGE
I’ve already asked him if he wants some help but he
refuses.
JERRY
I don’t help.
GEORGE
We’re your friends. We want to help you.
JERRY
Why don’t you go help your girlfriend instead?
KRAMER
If one of you happens to die from exhaustion, can I
have your kidney?
GEORGE
Not mine. I wanna be
cremated.
JERRY
(TO KRAMER)
And if you meet again the guy that did that to your
eye, you might just get that same fate. Before he kills you that is.
CUT TO:
INT. JERRY’S APARTMENT. DAY
JERRY IS WORKING AT HIS COMPUTER.
ELAINE COMES IN AND PUTS HER PURSE ON THE TABLE. SHE
TAKES OFF HER COAT AND SITS ON THE COUCH.
JERRY GETS UP AND WALKS TO THE COUCH.
JERRY
"Hello Jerry, how are you?" "I’m fine,
Elaine. What about you?"
ELAINE
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