|
THE COMPUTER
A Seinfeld fan fiction script
by
Joel G. Gomes
DECEMBER 2002
INT. COMEDY CLUB. NIGHT
JERRY IS ON STAGE.
JERRY
The great purpose of going to a party or any other
social event is to get a partner. Women usually talk themselves into it. A
little chit-chat, a drink and a formal invitation.
"Can you give me a ride home?"
Men are not like this. Men are always in a rush.
That’s the way we are.
We arrive at the party, we pick up the first
desirable female we lay our eyes upon and a after a one minute talk, we kindly
ask:
"Do you have the key to the upstairs
bedroom?"
CUT TO:
INT. MONK’S. DAY
JERRY AND GEORGE ARE HAVING LUNCH.
JERRY
We were having sex. She was... er... performing an...
oral massage on me and...
GEORGE
(INTERRUPTS HIM)
An oral massage? You mean a...?
JERRY NODS.
GEORGE
That’s a very interesting term. Then what?
JERRY
I got carried away.
GEORGE
While she was doing it?
JERRY NODS AGAIN.
GEORGE
What did she say?
JERRY
I don’t know.
GEORGE
What d’you mean you don’t know?
JERRY
I mean exactly that. When I realized what I had done,
I grabbed my clothes and left. I had to get undressed in the hallway.
GEORGE
Why?
JERRY
I couldn’t stay there. Not after that.
GEORGE
You didn’t apologize?
JERRY
I think so. I don’t know.
GEORGE
When did this happen?
JERRY
About three days or so.
GEORGE
And you’re still thinking about it? Move on! It’s time
to leave the past behind!
JERRY
I can’t!
GEORGE
Why not?
JERRY
I... liked it.
GEORGE
I see. Well, to be honest, I would be surprised if
you didn’t. It’s very hard not to like it when someone does that kind of thing.
You talked to her since?
JERRY
I called her this morning. Her machine answered.
GEORGE
Did you leave a message?
JERRY
Like what? "Hey, sorry about that the other
night. I hope you didn’t choke. Let’s go out and get ourselves a milk-shake,
shall we?"
GEORGE
That’s the problem with oral massages. They always
catch us unprepared.
JERRY
It was the first time someone did something like that
to me and I blew it.
GEORGE
You didn’t blew it. You went all the way to the end.
And that, my friend, is really what matters.
JERRY
I know that. But I scored on the wrong goal. I’ve
unbalanced the score.
GEORGE
Did you establish where to score before the game
start?
JERRY
No.
GEORGE
Well then...
JERRY
"Well then" what? You can’t just assume she
wants the other person to score on her goal. It’s a pretty big assumption.
GEORGE
We could use a referee to control that.
JERRY
Can you imagine how she must have felt?
GEORGE
I know how I would feel, if I was in your place.
JERRY
(PRETENDS TO STAND)
You wanna change seats?
GEORGE
Y’know, perhaps she was expecting some kind of
retribution for her action.
JERRY
Like what?
GEORGE
Like, maybe, you doing an oral massage to her.
JERRY
No way.
GEORGE
They like it. Believe me.
JERRY
I know they like they like. I was the one who told
you that in case you’ve forgotten.
GEORGE
So what’s your problem?
JERRY
I’ve been having this dream lately. I’m in the room
with her. She’s doing another massage.
GEORGE
Keep going.
JERRY
Then she finishes it, she turns to me and says
"kiss me".
GEORGE
That’s only a dream. She’s not gonna ask you to do
that.
JERRY
How can you be so sure? It’s not like I had to force
her or anything the first time I asked her to do... the massage. You think the kiss
afterwards is that unlikely to happen?
GEORGE
It’s not unlikely, it’s unethical. Besides,, she
probably had other things on her mind to worry about.
JERRY
Maybe she was trying to tell me something.
GEORGE
Must’ve been difficult at the time. Hey! I almost
forgot! What time is it?
JERRY
It’s...
(CHECKS HIS WATCH)
1 p.m.
GEORGE
(STANDS)
Okay. Time to get back to work.
JERRY
Y’know, it’s quite amazing how a person with no basic
knowledge whatsoever of computer components is working at a top company in the
hardware business.
GEORGE
You know what they say. Sometimes improvement is
necessary.
JERRY
So why hire you? My guess is that they’ll need a lot
more than improvement after you’re done there.
GEORGE
"Oh ye of little faith!"
JERRY
Well, I sure hope you keep this job.
GEORGE
I will hold onto it like a leech.
JERRY
I wouldn’t expect nothing else coming from you.
GEORGE
I’ll see you later.
JERRY
Okay.
GEORGE WALKS AWAY.
JERRY (V. O.)
(LOOKS TO GEORGE’S EMPTY PLATE)
They always leave me to pay the check. Some day, this
is bound to change.
CUT TO:
INT. INFOSYS. MAIN HALL. DAY
GEORGE ENTERS THE HALL. HE HEADS TO HIS OFFICE WHEN
HE FINDS HIMSELF INTERCEPTED BY MR. SMITH.
MR. SMITH
George! Good to see you!
GEORGE
Mr. Smith! Hi! Good to see you too!
MR. SMITH
Listen, do you stepping into my office? There’s a
private issue I would like to discuss with you concerning your performance on
this company.
GEORGE
Did I do anything wrong?
MR. SMITH
I think it would be better if we talked in my office.
GEORGE
O-o-kay, Mr. Smith.
CUT TO:
INT. MR. SMITH’S OFFICE. DAY
MR. SMITH AND GEORGE ARE SITTING FACE TO FACE. MR.
SMITH IS SITTING BEHIND HIS DESK AND TYPES SOMETHING ON HIS LAPTOP BEFORE
ADDRESSING TO GEORGE.
MR. SMITH
The reason I wanted to talk to you, George is that...
How shall I put this? Well, the thing is, I’ve been watching you and your work
and, somehow, you managed to impress me like no other employee has ever had. So
I would like to give you a reward for that.
GEORGE
A reward?
MR. SMITH
Yes. Not monetary. This is even better. I’m talking
about a social reward.
GEORGE
A social reward? What d’you mean?
MR. SMITH
I’m having a party tomorrow night and I would appreciate
it very much if you could join me.
GEORGE
A party? Look, Mr. Smith, no offence or anything but
this isn’t just a good time for me to do this.
MR. SMITH
What’re you talking about, George? This is a once in
a lifetime opportunity, George. Think carefully of your decision or you’ll
might regret it later.
GEORGE
(SWALLOWS)
Fine. I’ll be there.
MR. SMITH
Excellent!
CUT TO:
INT. JERRY’S APARTMENT. NIGHT
JERRY, GEORGE AND ELAINE ARE WATCHING TV.
JERRY
"... you managed to impress me in a way like no
other employee has ever had?"
GEORGE
That’s what he said.
JERRY
Was that in a positive way?
GEORGE
I think so.
ELAINE
Well, he invited you to his party. I think that’s
positive.
JERRY
Positive for who?
ELAINE
You’re going?
GEORGE
I have to. He said this would be a once in a lifetime
opportunity.
JERRY
So go then.
GEORGE
I’m feeling very anxious. I don’t know how to behave
on an event like this. Elaine, you’ve been through this type of situation
before, tell me, what do I do?
ELAINE
(TAKES A DEEP BREATH)
Well, the first thing is to act casually. Don’t let
them think you’re nervous. When a conversation gets complicated, don’t try to
understand it. Move to another area. And never, never! be yourself.
JERRY
That’s the best advise you could possibly give him.
CUT TO:
INT. LIVING ROOM. NIGHT
THE HOUSE IS CROWDED. MUSIC IS PLAYING, BUT NOT VERY
LOUD. A SOFT VOLUME TO PROVIDE A SMOOTH AMBIENCE.
MR. SMITH IS DRAGGIG GEORGE ACROSS THE PARTY.
THEY APPROACH A GROUP OF THREE MEN TALKING TO A
BEAUTIFUL WOMAN.
MR. SMITH
Hi, everyone! Glad you could make it!
THE THREE MEN LIFT THEIR GLASSES AS A CUMPLIMENT. THE
WOMEN NODS.
MR. SMITH
Hello Patricia. Did I already say that you look
absolutely marvelous tonight?
PATRICIA
Twice. But it’s always a pleasure to hear it.
MR. SMITH
Do you know Patricia, George? She’s your colleague.
GEORGE
Really? I don’t remember seeing you there.
MR. SMITH
I’m usually tied to the desk. I’m responsible for the
Public Affairs Department.
CUT TO:
FLASHBACK:
INT. INFOSYS. HALL. DAY
GEORGE AND A COLEAGUE ARE CHATTING NEXT TO A COFFEE
MACHINE.
COLLEAGUE
So, anyway, I took the motherboard out, I restored
the main memory and there it was!
GEORGE
That’s amazing!
PATRICIA DRESSED IN A SHORT SKIRT PASSES THEM.
COLLEAGUE
That. Woman. Is. Hot.
GEORGE
Who is she?
COLLEAGUE
She’s responsible for the Public Affairs Department.
Which means she practically gets laid with everyone around here.
GEORGE
Can’t wait to meet her.
CUT TO:
INT. LIVING ROOM. NIGHT
GEORGE
Oh! Right! Right! The Public Affairs department. A
lot of work there, isn’t it?
PATRICIA
You have no idea. Sometimes I just wanna throw it all
away and lie down.
GEORGE
(GRINS)
I can imagine.
MR. SMITH
(GRABS GEORGE BY THE ARM)
Come along, George. There’s a few people I would like
you to meet.
GEORGE AND MR. SMITH WALK AWAY.
CUT TO:
INT. LIVING ROOM. NIGHT
GEORGE IS NOW NEXT TO A TABLE WITH FOOD AND DRINKS.
MR. SMITH IS NOWHERE TO BE SEEN.
PATRICIA APPROACHES HIM FROM BEHIND.
PATRICIA
There you are!
GEORGE
(STARTLES AND TURNS)
Hey!
PATRICIA
So you’re the famous George Constanza everyone is
talking about...
GEORGE
Yeah!
(SNORTS)
That’s me!
PATRICIA
So... you wanna go upstairs?
GEORGE
(SWALLOWS)
Upstairs? You mean...? The upper floor?
PATRICIA
Huh huh. The upper floor.
CUT TO:
INT. MR. SMITH’S BEDROOM. NIGHT
THE LIGHTS ARE OUT. THE MOONLIGHT ALLOWS US TO SEE VARIOUS
SHADOWY FIGURES FROM THE FURNITURE.
WE HEAR A KNOB BEING TURNED AND THEN THE DOOR OPENS.
A CLICK FROM THE SWITCH AND THE LIGHT COMES OUT.
GEORGE AND PATRICIA STEP INTO THE BEDROOM AND LOCK
THE DOOR.
GEORGE
D’you really want to do this? I mean, what if we get
caught?
PATRICIA
Stop worrying about that and kiss me, GC!
THEY LIE ON THE BED AND START MAKING OUT.
SUDDENLY, GEORGE SEES SOMETHING THAT CAPTURES HIS
ATTENTION. A LAPTOP COMPUTER ON THE DESK. NEXT TO IT IS A WEBCAM.
GEORGE
Hey! He left his computer on.
GEORGE GETS UP AND WALKS TO THE DESK.
PATRICIA
He must be waiting for an e-mail or something.
GEORGE
|